A History of the Azores
Santa Maria
It’s nine days past the Boxer Day tsunami in Southeast Asia,
three years now since 9/11, last year’s quake in Bam, Iran
entirely forgotten, the war dead mounting in the fertile
crescent, napalm long since defoliated ferns in Vietnam.
I am sober, cold from swimming on New Years’ Day,
and watching the response of fishermen and altar boys
across the world. The ash of Krakatau still sots the air,
the North Pole has slipped its firmament, as polar bears
scrounge in expeditionary trash. I see Asian countries,
rupees glistening, with Red Cross brigades to sort debris
by elephant. Not one jungle animal was drowned, their
inner anemometers not something they could share.
Only sea folk ran from the long, low tide in time:
I see on news that a woman, Malawati Daud, was
found a hundred miles offshore, eating the fruit
of the sago palm, blessing angels of an apocalypse
who came down for one last kiss. Doctors say she’s
pregnant, her flood child a spiny mermaid, while
I measure phthalo green above a fractured earth,
just as I frame how people cope with how to help.
But I’ll come back to that. I must open my poem,
a set of fugues, not of voices but of places, a catalog
to undo the best of intelligent design, with the nine
islands of the Azores floating still, with my love for
Diderot’s Encyclopedia, huts as urns for saying things,
tongues all twisted into coils of DNA, a fading sense
of history, swells of masculinity, ecstasy of El Greco’s
figures’ fingers bursting into flame, the elegies to life
or a sloppy process of osmosis or underwater tombs,
factories and factory ships gone dizzying or obsolete,
a paean to sugar and wild wheat. I limit the compass
of my questioning to what I want to know about a
Holy Ghost that nobody has seen except in greasy
windowpanes in Queens, who’s spoiled me plenty
since I was twenty, who’s a measure of uncertainty
we seek in Kierkegaard, or the split-second image
of a Yeti in a Modoc valley. Another age will pass,
a whelk shell shed, and a boy, like me, my nephew,
or maybe your own son, will become a fish again,
a coelacanth, a thing of fire, descending to the sea,
the hunching primate loping away from evolution,
survivor of a population bottleneck when Toba’s
magma wrought a thousand years of winter, vog
and ash when grass snakes and yews in Eden froze.
Teddy swims across an inlet, looking for a ghost
of his grieving Dad. Lost to a last big tidal wave?
Lost to years of eel fishing? Lost to killer bees
or walking catfish? Lost to barracudas or the law?
The chords of the sky today are so B-flat, as light
from a Transit of Venus creeps beneath my door.
I name rivers and a ferryman, enumerate the stars
to brighten moods of diplomats, say a prayer and
place an obolos on the tongue of the newly dead.
I walk the South Street docks, mouth all pocked
by bitumen and sores, dream monkfish in butter,
in range of where twin towers stood, for rainy
May nights now it’s two strained beams of light
that aim at Alfecca Meridiana, Neptune’s Triton,
the dog star that pines for farmer Wampanoags.
Sculptures out at Socrates Park are poor relations
to the song that rises from the central cistern
of the city, from sleepy people in the Bronx.
You and I were boys with milkweed in our hair,
walking for days to see the rings of Saturn,
or the Berlin Wall, remember? Laying flowers
at Peter Fechter’s grave in No Man’s Land. Ted,
when we got to the moon Enceladus, vapors
reeked of ambergris, like the ship Mary Celeste,
floating off the Azores, not a soul on board,
umbrella squid lurking in a cavern of the deep.
I wore a cross around my neck and Life-in-Death
herself befriended me till you and I next met.
Remember the Battery bookstall where I bought
The Narrative of Arthur Gordon Pym? We heard
tell of the Peggy there, sung by Dylan Ransom,
a whaler’s grandson who lives in a Winnebago.
We watercolor waxy seascapes of the Hebrides,
dream barren archipelagoes, lagoons on islands
of Korea, talk of the grass at the hanging tree in
Reason Street, of Underground Railroad paths,
Azores kids on Yankee whaleboats, Sable Island
wrecks, ship-breaking beaches of Alang in India,
where floods can’t slow tar or fire or creosote.
I laugh out loud to share a story of Castle Hill,
when I read road poems in a Cardinals cap,
to crowds groggy with cheese or Pinot Grigio.
Shetland ponies, Jarrett's jazz and even Jackie O
was there, her face all cucumber mask and milk.
Last year, we sat at a wake for Cape Verde boys
in Melville’s chapel, just up on Johnnycake Hill,
near Henry Navigator Park, as Bill the Butcher
read Moby-Dick, where trade in Thai sticks fares
better than the fish wharves, where the bones
of Columbus were interred, before they were
de-fleshed and packed off to Santo Domingo.
I’ve fallen for a waitress at the Old Stone Bank,
her green eyes, like yours, gazing into Neverland.
Under the jaw of a bone shark, brotherly John
rings out shanties for crews who say farewell to
stokeholds, singing Leave Her, Johnny, Leave Her!
I dream the nine lakes of Annapurna, camels,
leopards, okapi in Bosch’s Garden of Delights,
cadaver dogs and ninth-hour midnight sweats
brought on by The Bourne Supremacy, where my
love and I spent centuries wading in Cranach’s
pool, supple naked flesh afire, seeking a youth
we couldn’t find in the waters of St. Augustine,
as we raise a girl to tend the world’s lush hedges.
Some days she imitates a wolf child in Truffaut,
at sixteen, quietly crooning Lait, Lait. Today she
says she is writing a poem every day, so I know
my job is done, so I am free to go to the Azores.
São Miguel
Here dairy farms roll down to the lowland kelp,
sweet milk drawn from lolling, free-range cows
and meadows brim with blue hydrangeas. Açores,
sea hawks, climb the winds that sail to the cliffs
of Dover. On São Miguel, I stare at myriad stars:
Albireo, Kraz, and Double Double-- ascending,
as islanders prepare to take a pilgrimage across
the atolls, not stopping for the sea but walking
on and through it, climbing seamounts named
for those who lost their lives on 9/11, looking
for Professor Aronnax of Paris, spying a giant
cuttlefish who sucks the silence out of us, in
warm currents that bear us to our middle age,
the Middle Passage slowed but unforgiving,
as human trafficking abounds in Ivory Coast
and on bright red Beijing junks, full of wasted,
aging Maoists above the barnacles and eelgrass.
On this green island, women are trashing corn:
at Sete Cidades, a nomad princess falls in love
with a mountain man, an archangel with a lilt.
Blue sharks cast their jaws wide for krill, and
whatever truth there is in keeping an eye on
Somalia, right here, in Providence (R.I.) is lost
in the fog at Fogland, an inlet under-fished by
Narragansett Indians. Politics and eremology,
uneasy bedfellows, like Queequeg-Ishmael
under a moth-ridden quilt. I read of Rabelais’s
Sea of Frozen Words, laugh in a bath at Sponge
Bob Square Pants, a cruel joke played on those
who would believe in me. My Pomeranian lies
prone in moonlight, left leg kicking at the sky.
I can’t find enough air to breathe, for bellows
that once belonged to lungfish now are mine,
even if wizened and grown thin by inactivity,
a ruined knee, a telescopic focus on the wrong
things, till at dawn, I know time’s puzzle, love’s
pure furnace, kids at home, hard black sausage.
From one dark Cyclops cave, my world is dark
to blindfish, to tantalizing giganturus, to sea lice
infestations inheriting good, black, insect blood.
A flying squid, corsairs and caravels above him,
squeegees the Atlantic in search of Aztec gold,
hovering on abyssal plains, out of reach forever
deep-sea feeding in a fracture zone till he shakes
knolls, spurs, or calderas of a continental shelf.
My grandson, not born into this world, wants
to walk rills and beachcomb for brittle stars,
tin canisters of oil, Sumatran rhino fever pills,
rusted cuckoo clocks, bow-rails of the Titanic,
as his grandmother, aged eight, walked white
spruce trails at Acoma, timber rattlesnakes
hissing at the dried-up oceans of New Mexico.
Playing a flute, he looks to Pico do Norte, but
no Second Coming falls: no angels, just servant
trade ruts made of mud, vast and dry, a shaman
like a turtle on his back, telling tales till he turns
them into songs, on a day when Earthlings said
they could do away with stars. I phone Michael
to see if he’s safe at home from India. He’d seen
the Khajuraho temples, spoke to Krishnamurti,
ate bad mangos in Goa, as water seeped across
a cafe floor, not more. Michael, home, and safe!
After Rajan Ramasamy calls to say his Madras
family is okay, I know those dear to me are here.
It hasn’t been the end of nature for all time, we
wish there was more we could do. Jesus, John,
deflect, they point away from themselves, a guy
exclaimed one day in church, and I, too, deflect,
I point away from me and towards a better good.
Terceira
Miguel says that all invertebrates have origins here
before they swim to the Sargasso Sea, to the tidal
flats of Bath, Nova Scotia, St Pierre and Michelon.
At Black Lake, I dream of hail the night we Shock-
and-Awe Iraq. Bush, Blair, and Aznar are meeting
at Lajes military base, on a blasted day in March,
as winds pick up across the Plains of Nineveh,
where there’re no throngs of protesters for over
a thousand miles of ocean, where bubble gulps
of a goby are most defiant. C-17 Globemasters
take off for the Middle East as petrels search out
sardines, under cumulous clouds that clot the sky.
By a pin-prick light of Uranus, we men prepare
for a romeiro, whales spouting close enough to lap
our ears, misting the sockets of our brains, their
heads like battering rams, ready to stove harpoon
boats from Oslo, Nagasaki, that won’t surrender.
We travel along stony Roman paths, leaving fruit
at each imperio, call to the Espiritu Santo, stopping
at each white-washed hut to stanch the blood-let.
Like St. Isabel, devoted to the destitute and sick,
we work to turn our bread into roses, we watch
a laughing gull fly off to Corvo island, to rising
flood waters of Noah’s Ark. I listen for shouts
from sailors on the USS Scorpion, a submarine
that disappeared in ‘68, found now by Ballard,
guiding him to hydrothermal vents of three
tectonic plates that meet beneath the Azores,
where ten-foot tube worms masticate, cities
lie buried in the deep abyss. I say a Dark Age
is upon us, just as Rome fell, as Byzantium
buckled to its knees, let this world succumb
to a plague of locusts, to frogs and famine
and to cholera, to abject lack of curiosity for
wonders of the world. Bjork croons Medulla
as Christ’s temptations are blazing in my ear.
Graciosa
I charcoal Circe’s Island: thickets of cryptomeria,
shearwaters flying in the dark, a sulfurous cavern
that leads to underworlds of reddish, noctule bats.
Graciosa: the name slides off my tongue like arctic
pack ice, its cries heard across the ocean of hope.
Waking from childhood, Picasso, Aimé Cesaire,
were there, flooding my mind with the language
of desire, thrumming like woodcocks on a forest
floor, imploring me to leave my friends behind,
to part with logbooks from Puritan, joint stock
joints funding Plymouth and Providence Island,
a Miskito hunting paradise off Nicaragua’s coast.
I’m gouging Sacco and Vanzetti out as woodcuts
in the middle of the night, using single words
for images of brimstone. On Graciosa, I rest
my back from cane-break, from moving to
New York, to light the wick for the flame
perpetual, a dissonance that floods my mind
as I search Tulip Street for mirror neurons,
for Allen Ginsberg as he sings Orc’s nine
worlds as I buy buttermilk at William’s
store-- a Yemeni bodega-- where hairy
bats fall, city on city, he says, so we, like
Moloch, dwell on oases near Alexandria,
near a jungle gym at Tompkins Park, as
my toddler screams Higher! Higher! Higher!
swinging till her toes touch an oak tree.
Wherever my eyes rest, crawling text and
the letter D will run to a surface of a page,
the anima and umbra, the tell-tale fatal scar.
Sick as a rat, I keep tabs on Rhadamanthus.
My Dad’s ghost lies among black smokers,
brigantine wrecks that carry rum and tea,
the Agamemnon sunk, laden down with lace.
I dream cats on the Isle of Man, a California
redwood split by fire, Honolulu grass skirts,
songs of the Encantadas. I dream of hooves
in a bull ring, underground cable networks
binding the Azores to Green Hill, me to a
Cave of Morpheus, Rock of Vile Reproach,
my mother-in-law, sweating a month’s walk
to Finisterre, a daughter mewing at foghorn
booms, some Carmelite nuns, shushing me
as our child is born from the remnants of
a burning school. I wake up writing a book
of ship logs, squinting at things: rope coils,
strake boats, baleen whales, festivals of fire,
an old red Plymouth, the Ural Ocean, a nest
of deep-sea squid, come up at Haystack Rock
in Oregon, where cows parade along a beach.
I’ve gone soft working for a living. Neurons fire,
where so many words are lost to coconut palms
and a hand-blown bottle on a Graciosa beach
has a message, We’ll meet you on Pitcairn’s Island.
São Jorge
I stood in an orange grove in Urzelino, recalling
The Cuban Museum of the Revolution, Hemingway’s
house, where a nurse shark tore apart a tuna boat,
the Escuela de Las Bellas Artes in Havana, where
I drew full-length nudes and fell in love with Ada.
I heard Hart Crane’s cries from the Isle of Pines,
imagined the orchard where hebona was poured in
Van Gogh’s ear. Later, I canoed a green-eyed Belfast
girl with a lazy tongue, our clothes gone scattered
over a pond of loons. From there I traveled to places
I wanted to write about: Tove Jansson’s Moominland,
the Island of Dr. Moreau, Quadling Country of Oz,
Luquebaralideaux Islands, Luggnagg, Thermometer
Island, Helgoland, Deads’ Town, a Bush of Ghosts.
Again, the family picnics at Redemption Rock, where
nymphs eat conger eels, where Mary Rowlandson’s
returned from a remove with cruel-eyed Pokanokets.
I’m passing through a valley full of mines-- silver,
coal, molybdenum-- a lorry of oranges, upset along
a wreck-strewn highway, where I heard Worcester
railroad box cars rattling up to Burlington. My friend
David is gone, but at night his soul shadows my bed.
Ted, we tried to dike the torrents, suck its waters
from cold aquatic caves before we trespassed there.
We watched the Sea of the Miracle of Loaves
and Fishes as it emptied out, so we could walk
below its shores, but it was dark before we did.
Fayal
Spatter cone of bees and hollyhocks, the Capelhinos
earthquake shakes Fayal the year Miguel and I are
born, he in Mexico and me in Philadelphia, come
to live where Pequots once roamed free. Both of us
as children were observers, a thousand miles apart
but gazing at cicadas, foraminifera, sandstone rose,
trilobites, listing Latin names for animals, minerals
to be written on scrolls the size of Minneapolis or
splayed on serial billboards across an Anasazi sky,
both of us yearning for map rooms, open libraries,
exploring with Nemo and Ned Land, only coming
up to feed the Indonesian orphans of Banda Aceh.
We both loved Whitman and Trotsky. He chose
botany, I chose poetry and art. Beer-bellied, we
toil at our taxonomies, he in his lab in the Bronx,
me wading with a No Wake sign at the Forty Steps
in Newport, during election season, but my sign
says Wake Up, where waves spill in from Africa,
Pakistani tourists find it in their wedding shots,
surfers playing Coldplay as they peel off wetsuits
and Kenzaburo Oe breaststrokes out to atolls
where, in one of his books, polio kids, Musan
and Michio, stroll into the Sea of Japan, to the
Aki-No-Nanakusa (Seven Flowers of Autumn),
far off Uta-jima, the rocks of sirens of Nagoya.
Throat wort, samphire and centaury grow so fast
in the mist that these lava hills resemble Galway.
Three fates appear, each with a thread to spin for
Azores midwives. Halfway around the world in
a cowry shell I can hear your voice, on a faraway
island called Unknown, I call and say I love you.
Pico
Before the Azores summit, Pico’s streets are still,
pittosporum trees an anchor to its Pliocene past.
George Bush primes Azoreans, Americans, alike,
to want to be owners, to yearn for some means
of production, to risk our savings in speculation.
Last Memorial Day, he took Laura to Auschwitz
and the owl-squint shone: What am I doing here?
What does this have to do with me? A North Korean
missile found in Alaska, I understand, but these
dark, satanic mills? I think that politics is farce
in a land where saying something makes it so.
But too, his hardline stance has given birth
to new democracy-- we’ll have to wait and see.
Prince Charles takes William and Harry there,
too, where they pause under the sign that says
Work Will Make You Free. Putin and Schröder
don’t bother, but tour an Amber Room instead,
and Lorca lies dying outside Granada, site of
the Salafists’ dream to take back the Alhambra.
Saddam Hussein is caught in a burrow, like in
Dostoevsky’s Pauk, where, terrified, we watch
a giant spider sleep. Gates of Ishtar lions have
all but lost their pride. Magreb Arabs, gathered
in Baghdad coffee-shops, are cursing the Tower
of Babel, which leaks not speech but rancid oil.
Limbless vets, thousands, inch up a federal mall,
three hundred years to a day King Philip is shot
in swamps below Mount Hope. I take my friends
to walk there, Miguel, the handsome botanist,
who loves Green Animals, a topiary of silly beasts,
naming carp, lily pads, tobacco, and red bamboo.
His poet boyfriend, translator of Pasolini, is lost
in thoughts of Indians and Anglos wrestling with
the angel of death among the cattails. That night,
at Foxwoods, we spy Polaris faltering. I spend my
midnights reading Barlow’s Vision of Columbus
under a July buck moon. His phrasing stinks,
the rhyme is slack and he abhors anarchists,
toughs, Rhode Island Dorr Rebellionists, but
he plows into the story of 1770’s America, land
as an excuse to trample on the unforgotten dead,
yet in the end there’s promise for our politicians.
Not for Columbus, though, slunk in a Taino jail
with his burning eyes, to even think of Isabella.
I try to make sense of this in how I look at things:
Tokkarians, Hungarians, mitochondria, metazoan
predators, Easter Island, a lexicon of Seven Seas,
a glass of aguardente, a kiss for my deer mouse love.
Reading Jules Verne, I know that plankton blooms
somewhere near Kamchatka, and bramble sharks,
shell drills, the wreck of the Andrea Doria, bristle-
mouths, robber crabs, oarfish, eyeless rift shrimp,
brain coral, the radiolarian ooze, the tiny sailfish
of Phuket are poised to hear the tsunami rising.
How I feel, floating on the infinite Sea of Cortez.
Summer flounder, Friendly Islands, hermit crabs,
damselflies and buttercups, a desert island called
Inaccessible. Lotus-eaters eat the last jumbo shrimp
I’ve left on my plate because I know you love it so.
Flores
Ship’s log: moored at Penikese Island, once a pit stop
for zoologists, later a leper colony, now a home for
delinquent boys. On John’s cat boat, we circle it.
Maximum flood-- 2½ fathoms. From Gull Island,
you can see to Nomans Land, the Gay Head cliffs,
as a nun buoy trips a rapid bong, bong, bong, bong:
another scallop boat lost at sea. I think I can see
Iwa Umezakia, sad leper, beach-pea gardener
who has a crow that writes katakana in the sand.
Lolita his parrot parrots a crow. A least bittern,
without a name, follows him, ornery St. Francis,
as he escapes to Padanarum, takes the train to
Wareham, where he’s caught, returned to Penikese,
after which they’re quick to fumigate the trolley.
I read Typhoon: Captain MacWhirr, South China Sea,
monsoons beating on Macau. Swimming with John
I’m dreaming long lists of the Sudanese deceased,
and thinking that the only narrative for poetry
is sea wrack, banshee legends-- names like Ribbon
Reef, Dumpling Rocks, Chickadee Ledge, Cuttyhunk.
From here I can almost see to Monchique, off Flores,
o extremo mais ocidental da Europa, the westernmost
edge of Europe. But we’re at the latitude of horses,
where I slept with Maja desnuda in a flea-bit flat,
where men plot Basque bombings of Irún.
Years later, I return to Finisterre with my farmer
girl from Hesse, Germany-- we drink wine with
fishermen, hear dolphins talk and pick cabbages
with a countryman of hers called Hombre, a hippie
come to find a life far from Old World perestroika.
Another oil spill in La Coruña-- we see in the news
at home (where nothing’s in the news) that he died,
heart collapsed in shame at the hypocrisy and greed.
Now I’m painting, using the names of actual wars:
War of the Stray Dog, Soccer War, Silk War, Pig War,
Basuto Gun War, Great Swamp Massacre, as well as
made-up wars like the Potato Leek War, Toyota Pickup
War, Thirteen Minute War, Exxon Valdez War, Black
Tulip Wars, Coca-cola War, War of the Burning Bush,
Andy Warhol War, a War of the Theory of Numbers.
I put sketches on my wall: a Limited Nuclear Missile
Defense Shield for La Paz, sleeping in Roden Crater,
and hiking the Very Large Array. We spurn jihadists
for their messianic zeal, but Jesus in rapture tales
presides over a sea of blood of infidels. On a boat
I dream dredging up the Kursk, a submarine lost in
the Barents Sea, and a Chinese brother who sucks up
oceans so a boy can collect his car tires, radio parts,
minerals, Turkish carpets, porcelain dolls, teacups,
skateboards, cutpurse knives and scimitars from Aden.
I dream I’m on the Nautilus, in the Arabian Tunnel,
thinking of Albuquerque, clogging the Nile with loam
and mosquitoes, an ibis on its banks, trying to capture
back Mecca for Mohammed. I dream I strike gold on
Tethys, a moon of Saturn, in silence and in the dust.
I’ll gather its ore and take it home, despite a dog who
guards it with eyes as big as saucers. Blos! Blos! Blos!
the whalemen of Pico cry, as ospreys soar pelagic
wastelands, for spurge and space junk. In one Dante
circle, even the stinking rafflesia bloom, fertilized by
carrion flies-- a virulent poinsettia-- is an endangered
species. Oh fado, blues of the Azores, sing for all of us!
Corvo
Grim and isolate, Corvo teems with ruddy turnstones,
an empire of skinks, a tern hatchery, a Pluto’s moon,
named Charon for the ferryman of souls or perhaps
for the wife of its astronomer discoverer, frozen lava
fields where sheep paths lead to the bird called Roc,
where, as the story goes, Ali’s severed head is roiling
in the waves, his wail shrill above the chortling sea.
Today a wren sings out, by a neighborhood hospital
at home, as I try to reach Corvo, finish nine fugues
and a revolution, while my girls walk in a blizzard
home from school, scholars of Mishima, ten days
till winter break, a trip to Mexico to build adobe
homes for the Juarez homeless, free time for me
to dream an Age of Bronze or visit Coney Island.
A full moon shines over two feet of newly fallen
snow, it’s bright as day in the middle of the night.
I gaze at a harbor and the shore, where lightning
sparks from taunting anglerfish, out to the Earhart
Seamount, the Sea of Arafura, the Blue Pig Knolls,
Stalemate Canyon, Chinchorro Bank, Pico Trough,
Io Valley, and Challenger Deep. Ted, did you know
that the cost of these visitations could be so steep?
I promise to be quick so you can spit the ocean back,
so fish can swim again through waters of the Azores.